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Tag Archives: Kyiv
MAN WITH A MOVIE CAMERA: the first cinema screening
In the spring of 1927 Dziga Vertov* moved to Kyiv to work for VUFKU, the All-Ukrainian Photo Cinema Adminstration (Vse-Ukrains’ke Foto Kino Upravlinnia, ВУФКУ – Всеукраїнське фоtокіноуправління) after being sacked by Sovkino, the Russian equivalent, for being over budget on … Continue reading
Posted in Camera, Cameras, Cinema, Constructivism, Design, Dziga Vertov, Man with a Movie Camera, Photography, silent film, Soviet film, Uncategorized
Tagged Berlin, Der Mann mit der Kamera, Dziga Vertov, Elizaveta Svilova, Express Cinema, Film und Foto Exhibition, Goskino No. 1 Cinema, Goskino No. 2 Cinema, Hermitage Cinema, K. Liebnecht Cinema, Kharkiv, Kharkiv Historical Museum, Kyiv, Man with a Movie Camera, Marmorhaus Cinema, Mikhail Kaufman, Moscow, Museum of Moscow, Odesa, Oleksandr Dovzhenko Centre, Palace Hotel, Shantser Cinema, Tverskaia 46 Cinema, VUFKU
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MAN WITH A MOVIE CAMERA: the film locations
1929 poster for the film by the Stenberg brothers ‘We leave the film studio for life, for that whirlpool of colliding visible phenomena, where everything is real, where people, tramways, motorcycles, and trains meet and part, where each bus follows … Continue reading
Posted in Architecture, Cinema, Constructivism, Design, Dziga Vertov, Man with a Movie Camera, silent film, Soviet film, Uncategorized
Tagged Arcadia Beach, Bakhmetevsky Bus Garage, Bolshoi Theatre, Boulevard Stairs, Coal Mine, Debrie Parvo movie camera, Documentary film, Donbas, Donbass, Donetsk, Dziga Vertov, Eisenstein, Elizaveta Svilova, Experimental film, Film locations, Iron foundry, Kamianske, Kiev, Kinamo, Kulyanik, Kuznetsky Most, Kyiv, Man with a Movie Camera, Mikhail Kaufman, Moscow, Odesa, Photography, Potemkin Stairs, Pushkins'ka Street, Soviet Silent Movies, Steelworks, Strastnaya Square, The Eleventh Year, Tverskaya, Volkhov Hydroelectric Plant
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